Arles (Arelate) was the first Roman town to be built in Gaul after the 49 BC defeat of Pompey’s forces at Marseille (Massilia) by Caesar during the Civil War. Caesar had also constructed his fleet there. A colony for veterans of the Sixth Legion was founded in 46 BC as Colonia Julia Paterna Arelate Sextanorum by Tiberius Claudius Nero, father of the future Emperor Tiberius. Continue reading Athena Review : Sites and Museums in Roman Gaul: Arles
The early history of man in Iran goes back well beyond the Neolithic period, it begins to get more interesting around 6000 BC, when people began to domesticate animals Continue reading The Ancient Persian Empire
“Foot-shaped” structures have been revealed in the Jordan valley and are among the earliest sites that archeologists believe were built by the ancient people of Israel. The structures are thought to be symbolic of the biblical concept of ownership. – Please Ream More..
By: Michael Weiskopf
Picture courtesy of Marco Prins & Jona Lendering (Livius)
Dascylium, Achaemenid satrapy in northwestern Anatolia (Herodotus, 3.120.2; cf. Thucydides 1.129.1: tê`n Daskulitìn satrapeían; OPers. tayaiy drayahyâ; DB 1.15; Kent, Old Persian, p. 117), part of the Persian empire until the 330s B.C.E. The borders varied, extending as far south as the Mysian plain and the southern Troad and east into the land of the Bithynian peoples; some satraps controlled both sides of the Hellespont. The territory of Dascylium encompassed estates, garrisoned fortresses, and cities and villages in which Persians and other groups were mingled. The name Dascylium was also applied to a number of sites within the satrapy, the most important being the satrapal estate located at modern Hisartepe on the southwestern shore of Lake Manyas, near the village of Ergili. Continue reading ACHAEMENID DASCYLIUM
by Mark Lehner
Our 1997 excavation season of the Koch-Ludwig Giza Plateau Mapping Project drew to a close on March 29, 1997. For a very successful season, we are grateful to Dr. Ali Hassan, President of the Supreme Council of Antiquities, and Dr. Zahi Hawass, Director General of Giza and Saqqara, for their cooperation in making our work possible. We thank Mr. Sabry Abd al-Aziz, Director of Giza for his kind assistance. We are grateful to Mr. Mansour Radwan, Senior Inspector, and to Mr. Ashraf Mahmoud, who represented the Supreme Council of Antiquities at the excavation site. We would like to thank Mr. Hisham Nasser and Ms. Abir Sayed who served as our inspectors in the storeroom. We would also like to thank the American Research Center in Egypt, especially Amira Khattab and Amir Hassan.
Continue reading Report of Egypt Pyramids
Stretching across the Nazca plains like a giant map or blueprint left by ancient astronauts, lie the famous Nazca Lines of Peru. Peru is associated with the Incan Civilization who many link with alien visitors who still interact with local people to this day.
The Nazca Lines are an engima. No one has proof who built them or why. Since their discovery, the Nazca Lines have inspired fantastic explanations from ancient gods, a landing strip for returning aliens, a celestial calendar created by the ancient Nazca civilization — putting the creation of the lines between 200 BC and 600 AD, used for rituals probably related to astronomy, to confirm the ayllus or clans who made up the population and to determine through ritual their economic functions held up by reciprocity and redistribution, or a map of underground water supplies.
There are also huge geoglyphs in Egypt, Malta, United States (Mississippi and California), Chile, Bolivia and in other countries. But the Nazca geoglyphs, because of their numbers, characteristics, dimensions and cultural continuity, as they were made and remade through out the whole prehispanic period, form the most impressive, as well as enigmatic, archeological group.
The Nazca Lines are located in the Nazca Desert, a high arid plateau that stretches between the towns of Nazca and Palpa on the pampa (a large flat area of southern Peru). The desolate plain of the Peruvian coast which comprises the Pampas of San Jose (Jumana), Socos, El Ingenio and others in the province of Nasca, is 400 Km. South of Lima, covers an area of approximately 450 km2, of sandy desert as well as the slopes of the contours of the Andes. They cover nearly 400 square miles of desert. Etched in the surface of the desert pampa sand about 300 hundred figures made of straight lines, geometric shapes most clearly visible from the air.
The Nazca plain is virtually unique for its ability to preserve the markings upon it, due to the combination of the climate (one of the driest on Earth, with only twenty minutes of rainfall per year) and the flat, stony ground which minimises the effect of the wind at ground level. With no dust or sand to cover the plain, and little rain or wind to erode it, lines drawn here tend to stay drawn. These factors, combined with the existence of a lighter-coloured subsoil beneath the desert crust, provide a vast writing pad that is ideally suited to the artist who wants to leave his mark for eternity.
The pebbles which cover the surface of the desert contain ferrous oxide. The exposure of centuries has given them a dark patina. When the gravel is removed, they contrast with the color underneath. In this way the lines were drawn as furrows of a lighter color, even though in some cases they became prints. In other cases, the stones defining the lines and drawings form small lateral humps of different sizes. Some drawings, especially the early ones, were made by removing the stones and gravel from their contours and in this way the figures stood out in high relief.
The concentration and juxtaposition of the lines and drawings leave no doubt that they required intensive long-term labor as is demonstrated by the stylistic continuity of the designs, which clearly correspond to the different stages of cultural changes.
Designs, Myths and Metaphors
There appear to be various designs consisting of figures of animals, flowers and plants, objects, and anthropomorphic figures of colossal proportions made with well-defined lines. An example of this is the drawing of a weird being with two enormous hands, one normal and the other with only four fingers.
Gray Alien hand vs. Human Hand?
Also represented are drawings of man-made objects such as yarn, looms and “tupus” (ornamental clasps). All these figures have well-defined entrances which could be used as paths or to allow people to line together along the conformations of the drawings. Continue reading Nazca Lines and Culture