Morals and Sexual Morality

“In the Life in Ancient Egypt”


Modesty, as distinct from fidelity, was not prominent among the Egyptians; they spoke of sexual affairs with a directness alien to our late sexual morality.

Harem in Ancient Egypt

Life in Ancient Egypt, Morals and Sexual Morality

Ancient Egyptians adorned their very temples with pictures and bas-reliefs of startling anatomical candor, and supplied their dead with obscene literature to amuse them in the grave.

Blood ran warm along the Nile: girls were nubile at ten, and premarital morals were free and easy; one courtesan, in Ptolemaic days, was reputed to have built a pyramid with her savings; even sodomy had its clientele.

Dancing-girls, in the manner of Japan, were accepted into the best male society as providers of entertainment and physical edification.

They dressed in diaphanous robes, or contented themselves with anklets, bracelets and rings.

Evidences occur of religious prostitution on a small scale.

As late as the Roman occupatcion the most beautiful girl among the noble families of Thebes was chosen to be consecrated to Amon.

When she was too old to satisfy the god she received an honorable discharge, married, and moved in the highest circles.

It was a civilization with different prejudices from our own.

Achaemenid Dynasty Pasargadae Image

Number of pictures courtesy of Mr Ali Majdfar

Landscape

Pasargadae Acropolis and Fortification.JPG (65681 bytes) Pasargadae Looking Approximately S Tomb of Cyrus the Great.JPG (65973 bytes) Pasargadae View Showing the Platform ar.d the Polygonal Fortification Wall.JPG (56043 bytes) pasargadae_map.gif (4409 bytes) pasargadae_irrigation.jpg (11489 bytes) pasargadae.jpg (63637 bytes) Apadana in comparison with Pasargadae.jpg (74951 bytes) pasargadae_bridge.jpg (25854 bytes)

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Amenhotep IV

Amenhotep IV (throne name Nefer-kheperue-re) becomes Akhenaten, the famous “heretic” pharaoh.

Akhenaten (1352-1336 BC) was son of Amenhotep III and Queen Tiy. During his reign both the art and religion in Egypt were marked by rapid change. When he initially succeeded the throne he was known as Amenhotep IV, but changed his name to Akhenaten in his fifth regnal year, and began to build a new capital called Akhetaten (“horizon of the sun”), in Middle Egypt. This phase, encompassing Akhenaten’s and Smenkhkara’s reign and the beginning of Tutankhamun’s, is now referred to as the Armarna Period, and the site of the city of Akhetaten is now known as el-Amarna.

Images of Akhenaten
Late-Amarna style sculpture of Akhenaten, probably from the workshop of Thutmose Akenaten and his family, shown adoring the Aten sun-disc. Bust of Akhenaten, Cairo Museum

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Sumerians Writing and Religion

Writing and Religion

By 7000 BCE, in what is called the Fertile Crescent, in West Asia where hunter-gatherers had roamed, planting had grown into the major source of food. There true farming had begun, and farming required permanent settlement. By 4500 BCE people archaeologists would call Ubaidians were living in towns in West Asia, in Mesopotamia (Greek for “between two rivers”) near where the Tigris and Euphrates rivers emptied into the Persian Gulf. The Ubaidians drained marshes. They grew wheat and barley and irrigated their crops by digging ditches to river waters. They kept farm animals. Some of them manufactured pottery. They did weaving, leather or metal work, and some were involved in trade with other societies. Continue reading Sumerians Writing and Religion

Nazca Lines and Culture

Stretching across the Nazca plains like a giant map or blueprint left by ancient astronauts, lie the famous Nazca Lines of Peru. Peru is associated with the Incan Civilization who many link with alien visitors who still interact with local people to this day.

The Nazca Lines are an engima. No one has proof who built them or why. Since their discovery, the Nazca Lines have inspired fantastic explanations from ancient gods, a landing strip for returning aliens, a celestial calendar created by the ancient Nazca civilization — putting the creation of the lines between 200 BC and 600 AD, used for rituals probably related to astronomy, to confirm the ayllus or clans who made up the population and to determine through ritual their economic functions held up by reciprocity and redistribution, or a map of underground water supplies.

There are also huge geoglyphs in Egypt, Malta, United States (Mississippi and California), Chile, Bolivia and in other countries. But the Nazca geoglyphs, because of their numbers, characteristics, dimensions and cultural continuity, as they were made and remade through out the whole prehispanic period, form the most impressive, as well as enigmatic, archeological group.

Location

The Nazca Lines are located in the Nazca Desert, a high arid plateau that stretches between the towns of Nazca and Palpa on the pampa (a large flat area of southern Peru). The desolate plain of the Peruvian coast which comprises the Pampas of San Jose (Jumana), Socos, El Ingenio and others in the province of Nasca, is 400 Km. South of Lima, covers an area of approximately 450 km2, of sandy desert as well as the slopes of the contours of the Andes. They cover nearly 400 square miles of desert. Etched in the surface of the desert pampa sand about 300 hundred figures made of straight lines, geometric shapes most clearly visible from the air.

Nazca Plain

The Nazca plain is virtually unique for its ability to preserve the markings upon it, due to the combination of the climate (one of the driest on Earth, with only twenty minutes of rainfall per year) and the flat, stony ground which minimises the effect of the wind at ground level. With no dust or sand to cover the plain, and little rain or wind to erode it, lines drawn here tend to stay drawn. These factors, combined with the existence of a lighter-coloured subsoil beneath the desert crust, provide a vast writing pad that is ideally suited to the artist who wants to leave his mark for eternity.

The pebbles which cover the surface of the desert contain ferrous oxide. The exposure of centuries has given them a dark patina. When the gravel is removed, they contrast with the color underneath. In this way the lines were drawn as furrows of a lighter color, even though in some cases they became prints. In other cases, the stones defining the lines and drawings form small lateral humps of different sizes. Some drawings, especially the early ones, were made by removing the stones and gravel from their contours and in this way the figures stood out in high relief.

The concentration and juxtaposition of the lines and drawings leave no doubt that they required intensive long-term labor as is demonstrated by the stylistic continuity of the designs, which clearly correspond to the different stages of cultural changes.

Designs, Myths and Metaphors

There appear to be various designs consisting of figures of animals, flowers and plants, objects, and anthropomorphic figures of colossal proportions made with well-defined lines. An example of this is the drawing of a weird being with two enormous hands, one normal and the other with only four fingers.


Gray Alien hand vs. Human Hand?

Also represented are drawings of man-made objects such as yarn, looms and “tupus” (ornamental clasps). All these figures have well-defined entrances which could be used as paths or to allow people to line together along the conformations of the drawings. Continue reading Nazca Lines and Culture